Christopher Abbott on his Intense Transformation in “Wolf Man” and Collaboration with Julia Garner

by Annika January 15, 2025

Christopher Abbott was initially approached by Leigh Whannell for the lead role in Wolf Man. However, the project changed hands before eventually bringing Abbott and Whannell back together for the film. In Wolf Man, Abbott plays the character of Blake Lovell, a writer who convinces his wife to temporarily relocate to his childhood home. The family is then attacked, leading to Blake’s degeneration and physical transformation, which required lengthy makeup and prosthetics work. Abbott discusses the challenges of the role, his collaboration with Julia Garner, and his involvement in other projects such as The Brutalist and It Doesn’t Matter.

Christopher Abbott on his Intense Transformation in “Wolf Man” and Collaboration with Julia Garner

– Christopher Abbott was the first actor Leigh Whannell spoke to for the titular role in Wolf Man, and they were eventually brought back together for the film.
– Abbott plays Blake Lovell, a writer turned stay-at-home dad who undergoes a physical transformation after being attacked in his childhood home.
– The prosthetics and makeup work for Abbott’s character took up to seven hours to complete and proved to be a physically and mentally challenging process.

Leigh Whannell initially spoke to Christopher Abbott for the lead role in Wolf Man, making him the first actor considered for the part. Although the project went through some changes, fate ultimately brought Abbott and Whannell back together for the film. In Wolf Man, Abbott portrays Blake Lovell, a writer turned stay-at-home dad, who convinces his wife Charlotte (played by Julia Garner) to move to his childhood home in Oregon in an effort to save their marriage. However, their plans are disrupted when the family is attacked upon their arrival.

As the story unfolds, Blake discovers a wound on his arm that leads to a heartbreaking physical degeneration, resembling the experience of losing a loved one to a terminal illness. Abbott’s physical transformation involved multiple stages of prosthetics, with the last stage taking up to seven hours to complete. Despite the tedious and arduous process, Abbott appreciated the use of real prosthetics in the film, which added to its overall beauty.

During the pandemic, Abbott lived with writer-director Brady Corbet and co-writer Mona Fastvold, who are responsible for The Brutalist, a highly anticipated drama. Abbott feels a personal connection to their film due to their longstanding friendship and involvement in its development. Additionally, Abbott discusses his experience working on Wolf Man and how the prosthetics influenced his acting technique. He also mentions his recent collaboration with Fastvold on a historical musical project.

Abbott reflects on his previous collaborations with Julia Garner, noting that they had never shared screen time until Wolf Man. He also discusses specific shots and lighting effects in the film that added to its theatricality and realism. Abbott admits that he prefers living in a more urban environment like New York, contrary to the remote setting depicted in the film.

Abbott reveals that certain scenes addressing Blake’s mother’s illness were either removed or reduced in the final cut, but believes that the essence of the character’s struggle still comes across. He also talks about shooting another project with Mona Fastvold and expresses his pride and support for her and Corbet, who have received acclaim for their work.